Saturday, October 19, 2002
Participants: Mary (Michael), Ben (Albert), and a new participant, Liam (Benny).
Elias arrives at 1:24 PM. (Arrival time is 18 seconds.)
ELIAS: Good evening!
BEN: Hello, Elias, how are you?
ELIAS: As always, and yourself?
BEN: Not bad, thank you. (Elias chuckles)
Iím calling you from London. Iím going to introduce you to my friend, Liam, when he gets out of the bathroom. (Elias laughs) But letís see, what did I want to talk about today? One of the things I wanted to talk about is I wanted to get Liamís essence information.
ELIAS: Very well. Essence name, Benny, B-E-N-N-Y. (Laughter)
BEN: Thatís pretty funny!
ELIAS: And your impression as to essence families?
BEN: I know there must be some Sumari in there somewhere.
BEN: Is he belonging to or aligning with?
ELIAS: Belonging to.
BEN: And aligning with?
ELIAS: Your impression?
BEN: Oh, no! (Laughing) Iím going to say his orientation is common.
BEN: Is he thought focused or emotionally focused?
BEN: How many focuses does he have in this dimension?
ELIAS: Five hundred two.
BEN: How many focuses do we share together? (Pause)
BEN: I have some impressions about some of those focuses, so maybe Iíll tell you what they are and then you can possibly elaborate. One of my impressions was that he was my commanding officer at some point.
ELIAS: Correct Ė Rome.
BEN: Was it during the Franco-Prussian War, when Mike and I were soldiers?
ELIAS: No, Rome.
BEN: You must be talking ancient Rome.
BEN: I also have another impression that we were married at some point.
BEN: Is this in the future?
ELIAS: No. Time framework...
BEN: Is it somewhere in Europe?
ELIAS: Yes. Time framework, 1100s. (Pause)
BEN: How many focuses does he share with Mikah? Because, to me, I see some kind of similarity in a lot of the qualities that he has that Mikah has. (Pause)
ELIAS: Eight. (Pause)
BEN: Also, Iím associating him with my draw to Scotland lately, wanting to visit Scotland. Is there something about sharing focuses at that location?
ELIAS: Not necessarily, although this individual does incorporate many focuses in that physical location.
BEN: Itís interesting, but Liam was talking in his sleep. I couldnít objectively understand what he said, but I think he said the same thing twice. Was he saying something to me, or was he just saying something?
ELIAS: Not necessarily to you, but an objective expression associated with dream activity and imagery.
BEN: It seemed to be a very declarative statement, like he was making an announcement.
ELIAS: More so to himself than to you. (Laughs)
BEN: One of things I wanted to talk about is an hour or so ago or earlier this afternoon, Liam was working on some electronic things. (To Liam) Can you tell him what happened?
LIAM: I rushed it and then it went wrong.
ELIAS: And what is your definition of wrong?
LIAM: Broke! (Laughing)
ELIAS: (Laughs) Now express to myself your impression of what you have communicated to yourself, if you have noticed.
BEN: (To Liam) Do you have any idea what you were communicating to yourself in that moment? (To Elias) He says no.
ELIAS: To pay attention and to incorporate more care in what he is actually engaging.
BEN: So he didnít have his mind on what he was doing.
ELIAS: Precisely. But this once again is objective imagery and may be associated with patterns, not merely this one event.
BEN: So heís not focused on what heís doing for a lot of the time?
LIAM: Is that lately?
BEN: Yes, for some time framework! (Elias laughs) So lately, yes, for a while.
(To Liam) Do you want to ask him some kind of fusion question or physics question or something?
(To Elias) He wants to know if fusion as a source of energy is going to ever become useful.
ELIAS: Yes, temporarily.
LIAM: Within 50 years, as predicted?
ELIAS: Let me express to you, this is a potential but temporarily in your terms, until it is replaced with more efficient manipulations of energy.
BEN: Does this tie into Boshtís recent session about some kind of crystal being an energy source?
ELIAS: Partially. This is associated with the objective movement of this shift in consciousness. As I have expressed, many factors within your physical reality are changing.
BEN: What about technology? Is technology going to be changing too, or just what we think of technology wonít be the same anymore?
ELIAS: Your technological expressions shall be much more efficient and what may be termed to be comprehensive.
BEN: So weíll still use machines and... I remember at one point in some spin-off from the Monroe Institute that someone was trying to create some kind of device to communicate with the dead. That just popped into my mind now. Is that sort of along the lines of technology as well?
ELIAS: Not necessarily, for it is unnecessary to incorporate a device or machinery, so to speak, to be communicating with individuals in nonphysical areas of consciousness, and devices that you may be inventing within physical reality shall not be efficient in that type of direction. You are much more efficient within yourselves in this type of communication.
But as your physical reality mirrors yourselves as consciousness and your abilities that you incorporate within yourselves, your physical reality shall evidence more of those types of expressions as you all collectively widen your awareness. It is already evidencing many new devices, so to speak.
The birth of your computers has sparked tremendous freedom in what you allow yourselves to accomplish in physical manifestations, and now as you move more objectively into this shift in consciousness, you are creating equipment that produces things from nothing, which is what YOU generate also, producing physical manifestations from what [you] may term to be nothing.
LIAM: Weíre energy.
LIAM: We create the energy.
LIAM: Is it not like creation and annihilation in quantum physics? Like that type of activity where energy is converted to mass and mass, matter, is converted to energy?
ELIAS: Correct, although your objective understanding of this concept is limited.
LIAM: Yes, very much so. Itís hard to get your head around. (Elias chuckles)
BEN: Along those lines, will other methods of transportation still involve technology, or in a sense are we going to learn to transport ourselves without objective aids?
LIAM: We can convert ourselves back to energy (Unintelligible).
ELIAS: This is not necessarily a potential that may be accomplished in the time framework of this shift in consciousness. But the potential for that type of action and awareness is expressed in what may be termed as relative near future to the completion of this shift in consciousness, allowing you, as I have stated previously, to be realizing your science fiction as science fact. (Liam laughs)
That which you view to be fantasy in scrambling molecules, so to speak, in actuality you do incorporate the potential to generate this type of manipulation of energy, which is and is not technology. It is an advancement in technological areas, so to speak, or subject matters, but it is also an incorporation of manipulating energy and understanding objectively how to be intentionally directing yourselves to accomplish that type of action.
LIAM: Will we learn how to manipulate energy ourselves?
ELIAS: You already are, but you shall...
LIAM: Will we know what weíre doing with it?
ELIAS: Yes, and in this, you already are beginning. But as you continue and practice, you shall become much more efficient in your allowance of your abilities.
LIAM: Practice in what way? Like with research?
ELIAS: Partially, but also partially actually actively manipulating energy.
LIAM: In what way?
ELIAS: You are beginning now individually in recognizing that you do incorporate the ability to move energy in manners in which you were previously unfamiliar with.
LIAM: For example, that would be what?
BEN: Like out-of-body projections, that kind of thing.
ELIAS: Yes. You also are already incorporating a clearer understanding of your abilities to be manipulating your individual energy and offering yourselves much more information. You evidence this to yourselves in projects concerning what you term to be remote viewing, which is merely another method of projection.
BEN: So, Elias, this is really basically just a short session, since we are calling you from London. I wanted to introduce Benny, as you call him, to you, so if you have anything you want to talk about yourself or anything you want to address to him individually, that would be great.
ELIAS: Very well. I may express merely the significance of paying attention to what you are actually engaging in the moment, for I am aware that you incorporate a tendency to drift and distract yourself. In this, you may be accomplishing much more efficiently in allowing yourself to pay attention more clearly to what you are actually doing and choosing in the moment. (Pause) This may be helpful in also allowing you to become more familiar with yourself and patterns that you generate.
LIAM: What patterns?
ELIAS: Certain patterns of activity that you incorporate at times which you express frustration with yourself.
LIAM: Like tonight.
ELIAS: (Laughs) This is merely one example.
LIAM: A very annoying one! (Elias chuckles)
ELIAS: There is a significance in your repetition of presenting objective imagery to yourself in association with your frustration, for you are continuing to express communications to yourself to be paying attention, and rather than listening to those communications, you merely generate frustration within yourself and continue to generate similar types of patterns.
You may be expressing much more of an ease and comfort in your movement if you are choosing to be paying attention to the communications that you offer to yourself, rather than ignoring them and merely generating frustration.
LIAM: I donít even recognize them, though!
ELIAS: (Laughs) Recognize the moments in which you generate frustration, and you shall also offer yourself the opportunity to recognize your impatience and your distraction. (Pause)
BEN: Liam was wondering about a series of bouts of pneumonia he had when he was eight or nine. He was wondering why he was choosing that at that particular time. (Pause)
ELIAS: There are two responses to this question. One is associated with experimentation of pushing the physical body, in a manner of speaking, not to be disengaging but to be creating a dis-ease in a serious enough manner to be flirting with that choice and also to be altering the type of interaction between himself and parents, generating more attention.
BEN: Did you say he was altering his relationship with his parents?
BEN: Does Benny have any famous focuses?
ELIAS: Yes, and you may investigate! Ha ha ha!
BEN: How about a hint, an occupation, a time framework...?
ELIAS: (Chuckles) I shall offer the challenge that he allow himself to listen to his impressions.
BEN: Well, heís studying Japanese now, and I know he has a big draw to Japanese art and culture.
ELIAS: Within what you may term to be the arts, in female expression, yes.
BEN: Are we still talking about famous focus?
BEN: So he was a famous female Japanese artist?
ELIAS: Yes, not painter.
LIAM: Were there any others?
BEN: He wants you to go figure it out. He gave this as a hint.
LIAM: Oh. (Unintelligible) I like the music quite a lot. I like that type of music. Would it be anything like that?
ELIAS: Associated with, but not incorporating engaging instrument.
LIAM: I like Japanese females when they sing. I donít know, it strikes a chord with me or something. Is that something to do with it?
ELIAS: And dancing.
LIAM: Iíll have to look into it. (Elias chuckles) Interesting. What about the whole Japan thing? Why am I attracted to parts of it?
ELIAS: You do incorporate other focuses in that physical location and culture.
LIAM: Is there a tendency to have more focuses in and around that area and other parts?
ELIAS: You incorporate a significant number of focuses in this culture.
LIAM: In what time periods, do you know?
ELIAS: Many time frameworks.
LIAM: Iím more attracted to the more modern, recent parts of it, I think.
ELIAS: Which is merely associated with a preference.
LIAM: Very interesting. Are there any focuses in this time framework?
BEN: How many concurrent focuses does Benny have now?
BEN: Well, Iím going to thank you for talking to us today, for punctuating our trip here in London!
ELIAS: (Laughs) You are quite welcome, and...
BEN: Oh, I wanted to ask a quick question. Since Iím taking French now Ė didnít I ask you this question before? Ė is there an association between the Sumafi language and French?
ELIAS: No, you have not incorporated this question, and I may express to you, not necessarily. It is merely a preference of this essence, but not necessarily associated with the Sumafi family.
BEN: Oh, I see what you mean. Youíre just saying French is a preference for Elias.
ELIAS: Correct. (Conversation between Liam and Ben in the background)
BEN: Liam was trying to get a time framework for his famous Japanese dancer.
ELIAS: (Laughs) Investigate! Listen to your impressions!
BEN: Well, thank you very much for talking to us!
LIAM: Thank you.
ELIAS: You are quite welcome. I may express to you, enjoy your company and your interaction in your playfulness. (Chuckles)
BEN: (Laughs) Thank you.
ELIAS: Ha ha ha! And I shall be as always offering my energy to you both. In great affection, until our next meeting, my friends, au revoir.
LIAM: Au revoir, ciao.
Elias departs at 1:54 PM.
© 2002 Mary Ennis, All Rights Reserved.