Tuesday, June 03, 2003
ďTransitional and Widening-Awareness ExperiencesĒ
Participants: Mary (Michael) and Lexa (Aidan).
Elias arrives at 11:07 AM. (Arrival time is 15 seconds.)
ELIAS: Good morning!
LEXA: Good morning! How are you?
ELIAS: As always, and yourself?
LEXA: Creating interestingly. (Elias laughs) So, are we ready?
LEXA: Iíd like to talk about some objective experiences Iíve had.
ELIAS: Very well.
LEXA: Also dream experiences, and if we have enough time Iíd like to go into ďOversoul Seven.Ē
ELIAS: Very well.
LEXA: The last time I talked with you, before we began you gave me my focus color. We did not discuss an essence color. I know that anything thatís blue is related to an expression from your energy. How would I recognize my essence color?
ELIAS: You may investigate your essence color through visualization, meditation or dream state.
LEXA: Well, I understand that, but for instance when I was meditating once and did see colors, it came in a cone shape, which was blue, and I believe it was from blue to a little bit of red and then a lot of yellow, then a little bit of green. So I got a spectrum of color rather than a specific color.
Now; this is more associated with your energy field and the energy that you are projecting to your energy field in association with different energy centers, generating different colors in association with that energy field.
LEXA: Thatís not related to the essence color?
ELIAS: Not necessarily, no.
LEXA: Well, Iíll see if I can come up with something. Sometimes I draw a blank, okay? (Elias laughs)
So the next question is, Iím assuming that I am in transition. Is that correct?
LEXA: How long have I been in transition? All my life?
ELIAS: No. Approximately ten of your years.
LEXA: Gee, takes a lot of time, doesnít it? (Elias laughs) So why do you feel that so many essences who are within their final focus are drawn to your information?
ELIAS: Many individuals that are a final focus are drawn to this information for it is an assimilation which offers somewhat of an easier transition for other focuses from the energy that is projected by the final focus. Also, there is somewhat of a fascination with final focuses that are drawn to this information to be connecting with or interactive with future focuses to be somewhat helpful to themselves in their own movement within this shift.
LEXA: Thatís interesting. The last time I spoke with you, you mentioned that I exhibited a great deal of allowance in my dream state between my objective and subjective expressions. Do you remember that?
LEXA: Also, as I remember correctly, you suggested that I pay attention to my objective and subjective reality.
LEXA: I know from the Seth material that we create within our dream state those experiences, and I guess the physical environment that we experience from our dream state. Is that correct? Did I get that one right?
ELIAS: Somewhat Ė not precisely, for it is not that one follows the other. This is the reason that I express to you to be paying attention, for in actuality the objective and subjective awarenesses are in harmony with each other, and one does not follow the other. Both are generating the same movement simultaneously. They are merely expressing it in different manners.
LEXA: What I found interesting was I went several weeks ago to a bird sanctuary, and as I was walking down one of the paths, the thought came to me Ė because Iím paying attention as you asked me to or rather, suggested that I pay attention Ė the thought came to me that this is the same path that I decided not to walk down in a dream. Then I went to sit on a wooden structure that overlooked some water, which was the same type of structure with the same kind of feeling within the water that was also in the dream. As I sat there and watched the birds, they were nesting, flying and doing whatever that they were doing, it also reminded me of another scene which was in a different dream. I guess my question is, it appears with that particular experience that I pulled aspects of two separate dreams and pulled them together and had this experience in my objective reality.
Now; the distinction is that it appears to you that one is following the other, and that in your terms you are pulling experiences from your dream experience. In actuality, let me explain to you that your subjective awareness is not as bound to the objective configuration of time. Therefore, there is an allowance in the subjective awareness for movement which IS associated with the objective awareness, but not constricted to the expression of time that you experience within your objective awareness, within your waking state.
Therefore, as all of your movement is actually simultaneous, the subjective awareness may be generating a movement which the objective awareness is generating also. But in what you term to be matching those expressions in actual imagery, there may appear to you to be a difference in the time factor.
LEXA: Youíre saying all time is simultaneous.
LEXA: But I mean I have to get it here to experience it! In other words, I would not have had that intense feeling that there were elements within that experience that were exactly as I experienced in my dream state until it got here.
LEXA: It had to manifest here.
LEXA: Okay, so the experience of the dream happened before I realized the experience of the objective Ė let me just put it that way.
LEXA: Now, also while I was in the bird sanctuary, we were walking from this area where it dawned on me, just like these dreams that I had that I pulled from different sections and had this experience, there was a red bird in the pathway. What struck me very interestingly about this is most birds donít stand in the middle of the pathway, first of all, when people are walking up. And this bird did not move; I mean it stood there. I asked my friend to hand me the binoculars and I looked at the birdís eyes, and the eyes appeared larger than what I see in the birds that are around the house. I felt that that was... I donít know, was that you?
ELIAS: No, but it was an exhibition of another essence.
LEXA: Who was that?
ELIAS: The essence of Rose.
LEXA: Oh, WAS it?
LEXA: Well, now, all birds are the essence of Rose, though, arenít they?
ELIAS: No, but the essence of Rose does choose quite frequently to incorporate imagery associated with birds, to be generating an interaction physically with individuals within your physical reality.
LEXA: I said, ďHello, how are you?Ē (Laughs) Because it was not a bird, you know what I mean? It was a bird, but it was not a bird. So I did say hello. (Elias laughs)
I also want to talk about some experiences that Iíve had that Iím sure are related to transition, but I just want to clarify them. Several months ago, maybe six months ago, I was in my kitchen and had dropped some pasta. As I reached down to pick it up, this voice said to me, ďDo you remember Pick-Up Sticks?Ē At the same time, there was a scene of a child and I canít remember whether I went into the scene that had been my experience in my dream state or whether I observed it. But of course, I started laughing, because yes, I do remember Pick-Up Sticks, and it brought me quite a bit of joy to think about that.
I was also sitting at my desk maybe a week ago, and I donít know what caused it but I turned. As I turned or I leaned, I would say that I was another person. Let me see if I can explain this. I was another person, but yet I saw that person. It was only for a split second, and then I said to myself, ďWhat about that experience?Ē So are these the kinds of experiences that are occurring when we are either expanding our consciousness or when we are in the process of transition, or is it both?
ELIAS: Both, and also associated with other aspects of yourself that would be identified as other focuses.
LEXA: So how often does this all happen?
ELIAS: (Laughs) However often you allow it!
LEXA: I mean, I donít mind it. I just donít want it to happen when Iím driving down the street, let me just put it that way. It might not be too much fun.
ELIAS: (Laughs) And in that situation, I would doubt that you would create such an action.
LEXA: Then I donít mind, at any rate. (Elias laughs) In my fascination, okay? (Both laugh)
I was also seeing blinking lights, not as much now as in the past, but there was a time when there were quite a few blinking lights. They would blink on when ever I was reading or just in the home.
Now, one Saturday I woke up and I did not immediately move out of the bed, but as I was looking at the walls, there appeared two balls, round balls. They were not a flat projection; they were round. I could see them. The balls were covered in squares, very even, with lines going through them. One was slightly higher than the other. It stayed there for quite a while and then it disappeared. And I donít think Iím doing parlor tricks! (Elias laughs) You know what I mean?
ELIAS: And what is your impression as to this imagery?
LEXA: Well, I donít know what it was. I mean, it was wonderfully done; all the lines were straight. I donít think that I projected it. I mean, maybe I did. Maybe it was signal; may it was a sign. I donít know. All I know is it was there, I looked at it, and then it went away.
ELIAS: I may express to you, in actuality, you did project the images, in association with your energy, merely as an offering to yourself in association with your ability to manipulate energy effortlessly and without thought.
LEXA: It was without thought! What was interesting about it is, I donít know what the representation meant. In other words, I donít think that we create without meaning. You understand what Iím saying?
LEXA: And I donít know what the meaning was. I donít understand what it meant to me. What am I saying to myself, I guess in other words.
ELIAS: I may express to you how you within physical reality may be at times complicating some of your imagery is to be seeking what you assess to be some deep meaning for all of your creations. At times, you may be presenting imagery to yourself merely as a validation or to emphasize a simple point.
In this imagery, what you were presenting to yourself was not merely a validation of how you may efficiently be projecting your energy without thought and generate actual physical manifestations, but also how precisely you may manifest those imagery creations.
LEXA: It was very precise! I wonder if I can do that with the greenbacks. (Elias laughs)
Last week I was in the kitchen, and maybe I did this and maybe I didnít. I donít know because Iím not sure and maybe you can help me with this, how to determine when I am creating these manifestations or when itís another essence. But I was in the kitchen reading a book and I looked up, and there was an energy field that was clear. I mean, I could see action, if you want to call it that, movement I guess is a better word, movement within the field, but it wasnít like a solid block of color. It was clear and I could see energy movement within the field; whereas, when I presented myself with the two balls and the lines on the wall, there was no movement. So Iím not sure what that moment was all about and whether I presented it to myself. How do I tell the difference?
ELIAS: Now; this is another energy. But let me express to you that it is also a participation of yourself, for were you not allowing an openness to that energy, you would not have presented it to yourself. But in this, what you have allowed yourself to visually encounter is a movement of energy of an energy deposit.
Now; energy deposits are not merely associated with yourself. There are other energy deposits which occupy your space arrangement and are not necessarily projected by yourself, but they remain within that physical area. If you are allowing, you may generate an openness and actually visually view the movement of these energy deposits within your space.
LEXA: But suppose I donít want Ďem here?
ELIAS: The energy deposits are harmless.
LEXA: Itís not that I feel that they would be harmful, but I mean suppose I donít want anybody elseís energy deposits in my space?
ELIAS: If that be the situation, you may intentionally move them, if you are so choosing.
LEXA: Through what, intent?
ELIAS: Yes, and in this, in trusting your energy, and if you are so choosing, expressing a type of boundary, so to speak, you may move these energy deposits, if you are choosing.
LEXA: My understanding from what I read in the digests, the energy deposits are left by other humans. They are not necessarily energy deposits left by nonphysically-focused essences, is that correct?
ELIAS: Generally speaking, yes, or they may be energy deposits of creatures.
LEXA: Oh, thatís interesting. I havenít had a creature in this house! But there may have been other creatures in here, I think, before I moved. Iím going to move on to something else. I donít have to think about what to do with that energy deposit if I see it again.
ELIAS: (Laughs) Very well.
LEXA: I shall tell it to scat, huh? (Elias laughs)
The last time we had a session, I talked to you about an experience that I had which was not a dream experience. It was an experience when I went to get another aspect of myself. You said that I projected into other areas of consciousness, allowing myself to project into other dimensions where I retrieved a different expression of myself. Where did I go? What other areas of consciousness did I go into, and what other dimensions did I go into?
ELIAS: I may express to you, just as your own physical dimension, other dimensions do not necessarily incorporate a name. Therefore, it may be challenging to identify to you what dimension you projected to without the association of a word or a name, so to speak.
LEXA: What about the nature of the dimension?
ELIAS: Ah. You may investigate that in association with your visualization and allow yourself to view these other focuses of yourself in these other dimensions.
Now; recognize that there are countless other physical dimensions, and generally speaking, individuals allow themselves to connect with a few specific physical dimensions.
In this, the one that you connected with does not express the same type of forms that you do within your physical dimension. Therefore, the expression of form that you may allow yourself to connect to shall be a translation into what is known to you in this physical dimension. For the form of that physical dimension is quite changeable and is not necessarily a form that would be recognizable within your physical dimension.
LEXA: I also spoke with you in connection with this experience when I saw snow, and I then I said, ďI love snowflakes,Ē and then the geometric forms started flying at me. Now, I was sitting at my desk... And I know that I created this, but I guess what Iím trying to get at is Iím trying to put these experiences together so I can prepare my mind for all this bizarre stuff thatís going to happen. (Elias laughs)
But I was looking at this picture, and the picture was a model standing in front of a beautiful bush. I wasnít focusing on anything, I was just looking at the picture rather nonchalantly and all of a sudden a portion of the... Well, before that happened, I noticed a shift. Whether it was energy that I projected into the picture that caused the shift, but I noticed a slight shift and then all of a sudden, the plant part of the picture, a portion of it kind of jumped out and leaped out or came toward me from the page, which was similar to the snowflakes flying in that experience.
As I thought about it, I began to think when people took LSD, for instance, and they had these psychedelic experiences and I think some of the reports were that they saw things flying at them. So I guess my question is, this change or this expansion of consciousness, is it in some way related to accessing aspects of your consciousness that do these kinds of things?
LEXA: Is that what I did?
ELIAS: Yes. It also at times may be your allowance of yourself to be relaxing your focus, and therefore allowing other focuses to superimpose upon this focus.
LEXA: Was that another focus that superimposed upon this focus?
LEXA: Okay, tell me about that focus. We talk about focuses Ė weíre not talking about aspects, because aspects are within this focus.
LEXA: So another focus would be from another dimension or another timeframe or another element that Iím not concentrating on in a day-to-day manner.
LEXA: Tell me about that focus, so I can know it the next time it comes. I mean, obviously it came through me.
LEXA: And I did not... Well, I detected a shift in energy; I did do that.
LEXA: But thatís about as much as I could tell as far as any difference within me in feeling when this occurred.
ELIAS: Correct. But that shift, so to speak, was your indication that in a relaxed state you were allowing that experience. No other focus shall impose itself upon you without your allowance.
LEXA: I donít mind allowing; I just want them to ring the bell before they come! (Elias laughs) I mean, itís okay, I donít have a problem with it, we can deal with it, and I guess the shift in energy was the alarm.
ELIAS: In a manner of speaking, yes! (Laughs)
LEXA: It was an interesting experience, and I was wondering after it occurred if there was a connection with that prior experience with the snowflakes. In other words, when I went into that dimension, did I build what we want to call a bridge so that those same kinds of expressions will come into my third-dimensional experience?
LEXA: So can I anticipate more of that kind of encounter?
LEXA: Well, does that mean the wall is going to start moving out at me?
ELIAS: (Laughs) This would be your choice!
LEXA: Oh, I donít know! (Both laugh) Is this related to transition?
ELIAS: Partially, for many times individuals that are engaging transition within physical focus are also allowing somewhat more of an openness at times to other types of experiences in association with other focuses or other areas of consciousness or other aspects of themselves. There are many different explorations that individuals allow in association with transition.
LEXA: The next thing I want to talk about is your introduction, the configuration of the energy. I remember when it occurred, studying my interpretation of that projection quite closely. I remember looking at the background, which was green. I remember seeing the waves and I remember counting the number of waves within the projection that I saw. And I remember seeing the depth that was almost like a painting within a painting. I mean, it was like a depth to it and I remember the shapes within the depth. I also remember thinking to myself that I had just come from somewhere. Had I?
ELIAS: In a manner of speaking, in association with what you identify within your physical reality. In actuality, it may not necessarily literally be identified as some-WHERE, but more of an action. But in your terms, yes.
LEXA: I had been in contact; I was coming back in from.
LEXA: Okay, thatís what I thought. Later I began to think of the waves Ė you told me that you were connected with this Ė and I actually began to think of the waves more as streams of consciousness. I took the projection and I was able, in my mind, to turn it in many different ways, turn it upside down, flat. It was a very interesting experience.
However, one night I was on the computer Ė and I donít know whether I saw or whether it was in my mind Ė but I guess I had blocked off, I had not kept the depth perception that was a part of that projection. I saw the front part of it and then all of a sudden I saw the back swing back to indicate the depth. I started laughing and I said to myself, ďOh, thatís right, I forgot that part of it!Ē So, was I recreating that for myself so that I would not narrow my focus, I guess, is what I was really doing?
LEXA: I was really surprised that I experienced that as determinal while I was in the middle of something else.
ELIAS: Now; this is also significant, for it is a presentment of imagery in association with remembrance Ė not remembering, but with the remembrance. For in the remembrance, you generate experiences and you expand your awareness.
LEXA: Now, something has changed. I came from my garage one day and there was this plant thatís dead, and now thereís a begonia blooming in it. I smiled and I laughed, and I said, ďWow, isnít that beautiful! The birds have brought me a begonia,Ē because I could not imagine how else it could get there unless some outside energy had brought it there. Because I didnít plant it in the soil and the plant has been there for three years or so.
Then I went to sleep and I had this... This is the first time Iíve ever had it Ė well, not the first time, but in a long time Ė that Iíve had a dream that I couldnít quite grasp what was going on. The only thing I could come out of the dream with was there was a lot of intrigue going on. But as I was coming back in, awakening at any rate, this voice said to me, ďDid you get the begonia that I sent to you?Ē I have a voice that I hear all the time, that Iíve heard all the time in my dream state or for instance when I am having some waking experiences, but Iíve never heard this voice before. So something has changed, and I donít know what it is. Can you help me?
ELIAS: Ha ha! Now; this is associated with an energy projection of a future focus. Many future focuses incorporate an awareness of how to manipulate energy to actually incorporate a type of contact with other focuses. In this, what you have allowed is an insertion into your reality, in a manner of speaking as an introduction of a future focus.
LEXA: Thatís interesting. Where is he, honey? What year is he in?
ELIAS: This future focus may be associated in the time framework of your 23rd century.
LEXA: Wow! He could teach me a trick or two, huh? (Elias laughs) I love it. I donít know if the dream was associated with that focus, but I know that I really had a hard time with the symbols in that dream. I mean, itís not that it got out of control. Itís just that, I donít know, there was something very different about that. And then to have that voice say ďdid you get the begonia that I sent youĒ and it was a totally different voice than I ever experienced before, it was quite noticeable and thatís why I felt that something had changed.
ELIAS: Yes, you are correct. The dream interaction was also in association with that same future focus. The reason that you incorporate a confusion in association with it is that the energy which is projected is configured in manners that appear to be foreign to you. Therefore, there is somewhat of a challenge in translating.
LEXA: Yeah, tell me about it!
ELIAS: Ha ha! Now; you may also, as you now incorporate an objective awareness and identification of that energy, you may request of that focus that it configure the energy in a different manner that may be more understandable to you in this focus. That focus understands the ability to be reconfiguring energy in a manner that may be more understandable to you.
LEXA: So now this focus can help me, then, right?
LEXA: Oh! Maybe we can create some greenback, huh? (Both laugh) Excuse me! But thatís very interesting. You know, one of the things that I really want to do... Well, I donít know. But at any rate, one of the things Iíd really love to express artistically would be to create something where the colors are so intense that when they are viewed, they touch people Ė similar to what came out of that picture. I donít want it to jump out from the canvas Ė that would scare people. (Elias laughs) But something similar to that, and Iím wondering if this focus could help me do that.
ELIAS: Perhaps, if you are inquiring.
LEXA: I donít how to inquire. I guess Iíll just intent before I go to sleep, right?
ELIAS: This is one method, yes.
LEXA: Iíll try that and see how that works. From your literature it has said that an essence name is not a name, but itís a vibrational tone felt within the essence identity.
LEXA: But the physical name within any physical focus is a chosen tone of identity of the individual focus of essence.
LEXA: Now, I changed my name almost fifteen years ago. What effect throughout essence did that action have and does it have when a focus decides to alter the vibrational tone that it has carried within the physical focus for many years?
ELIAS: It matters not, for this is associated with choice, and each focus incorporates free will and choice and may generate whatever expressions they are so choosing.
Now; in generating a choice in association with preference, what you reverberate, so to speak, within essence, is merely a reinforcement of trust and a validation of choice in association with your preferences.
LEXA: But all action affects all other aspects, our focuses. I mean, we are a unit here.
LEXA: So one action within one focus can affect a rippling affect through other focuses.
ELIAS: Correct, but it is the choice of each focus how they shall configure that energy in association with their own choices. You are merely expressing an energy projection and that is received by all other focuses. But as I have stated, it is the choice of each focus how they shall configure that energy in association with their own experiences.
LEXA: I guess I should start wrapping this up. Iíve had quite a few dreams that seem to be theme focused. The last one I found to be rather disconcerting, if thatís the correct word. They seem to be all about protecting children, and I have no idea what this is about. Each one of them that has been of significance, that Iíve remembered, has been about protecting children. Is there something here that I donít know?
ELIAS: There is a significance in this imagery. This is associated with beliefs of protection.
Now; you image it in association with children, for that type of imagery emphasizes the strength of beliefs in association with protection, for there is an automatic association with mass beliefs that children must be protected.
In this, what you are presenting to yourself is imagery in association with your expressed beliefs concerning protection in general. The reason that you have expressed this imagery to yourself is to allow yourself to be aware objectively of the influence of those beliefs associated with protection and what type of energy you project outwardly in association with those beliefs.
It is purposeful that you have generated that imagery to yourself in this general time framework, for it reinforces a message to yourself in association with your preferences to not be lending energy to the mass expressions associated with the beliefs of protection. For just as you have identified that any action that you generate within your focus is affecting or is received by all of your other focuses, within consciousness all that you express outwardly is also generating a type of ripple effect.
Now; it is not your responsibility how that is received, but it is your responsibility to be aware of what you are projecting outwardly and whether it is in harmony with your preferences or not.
LEXA: The interesting thing about these dreams also is that currently Iím working on a project that is directly related to the protection of children. So I donít know if that... For instance, these dreams started after I started on this project; Iíve been on this project for three years. I donít know if the project initiated the dream or if the dream... I donít know. There is a connection here.
ELIAS: Yes, there is, which is directly associated with the type of energy that you project outwardly in association with these beliefs of protection.
LEXA: Well, let me move along quickly here. ďOversoul Seven,Ē I just read it and I really enjoyed it. The whole time that Jane Roberts was alive I never touched anything other than the Seth Material, but I have decided after reading the digests to get ďOversoul Seven,Ē and I really, really, enjoyed it. As I began to read through it, I began to see some of the potentials that we may encounter as we go further into this transition. It was mentioned in ďOversoul SevenĒ that Seven said to Lydia you always need a where to put yourself in your present state, your development, and you need a framework or else you can get very confused.
The ďwhere,Ē is that when you create, for instance, physical expressions of, letís say, a garden? Is that the ďwhereĒ?
LEXA: How will I know... I guess I will know, when Iím in a state of heightened consciousness when stuff starts flying and I canít control it. Is that the deal? (Elias laughs) Is that when I can get an okay, I need to stop and look at my finger?
ELIAS: Ha ha! Or merely allow yourself a focal point of any type.
The ďwhereĒ is not always associated with an actual physical manifestation or place, so to speak. But the ďwhereĒ may be associated with a physical manifestation, if you are so choosing, or it may be associated with the ďwhereĒ of yourself, where you are within yourself and allowing yourself to hold to your awareness of yourself.
In a manner of speaking, the ďwhereĒ may be this particular focus and the identity of it. If you are moving in association of relaxing your attention and moving in and out of other focuses and altering your imagery, especially if you are altering your imagery rapidly, it offers you a stabilizing element to be aware of the ďwhereĒ of you, which is the identity of you in this focus. Therefore, you reduce or eliminate the expression of confusion and perhaps even fear.
LEXA: You mentioned the identity of you in this focus, which could be any one focus that you happen to zap into. Is that right?
ELIAS: What I am expressing is being aware of this focus of you now as...
LEXA: Carry it with me, is that what youíre saying?
ELIAS: Correct, as a focal point. Even if you are projecting energy to other focuses and you temporarily are unaware objectively of this particular focus now, as you allow yourself to hold to some element of energy of this focus, you generate that ďwhereĒ of you in the identity of you in this focus, which allows you to snap back to this focus and not incorporate that confusion.
LEXA: I havenít gotten lost a lot, but particularly, whatís her name, Ma-ah, she got lost quite a bit. Now Iím going to get on another vein. Cyprus said to Seven at one point, because Seven must have been in some confusion, some consciousness confusion moving between times and he was trying to stop Ė I think he was with the codicils. Cyprus said to Seven, ďI am on a platform above time.Ē Tell me about that. Because obviously at that level of consciousness the perception can be of movement without confusion.
ELIAS: Correct. Let me also...
LEXA: How do you get to a platform above time?
ELIAS: Let me qualify, for this is not associated with perception. Perception is an objective expression, and the imagery of Cyprus is a representation of aspects of yourself as essence that are not associated with physical realities.
You occupy all areas of consciousness as essence. Therefore, there are other yous of you, or rather other attentions of you which occupy other areas of consciousness not associated with any physical manifestations and which also do not incorporate objective awareness, for objective awareness is associated merely with physical realities. This is the representation of Cyprus.
Now; you may tap into any of these other attentions of yourself as essence in other areas of consciousness. I may express to you that in some manners that may be confusing; in other manners, you shall automatically generate translations of your experience into what is known objectively within your reality. Therefore, you may recognize that the association or the understanding of what you tap into with regard to nonphysical aspects of yourself may not be entirely accurate, but this is not to say that they may not also offer you information, for they may in broadening your understanding of yourself.
LEXA: Okay, Iíll think about that one. (Elias laughs) I guess itís time for us to start closing down. I thank you so much for providing these answers for me and giving me some information to really think about.
ELIAS: You are very welcome. And I shall continue to offer my energy to you in playfulness and in supportiveness, that you shall know that my energy is continuously interactive with you. (Chuckles)
LEXA: I thank you very much!
ELIAS: (Laughs) Very well, my friend. In tremendous affection as always, I anticipate our next meeting and express to you, my friend...
LEXA: Thank you very much.
ELIAS: ...au revoir.
LEXA: Au revoir.
Elias departs at 12:02 PM.
© 2003 Mary Ennis, All Rights Reserved.