Thursday, October 02, 2003
“Anjuli’s New Game”
“Allow Yourself the Freedom to Express What You Want”
“Connecting in Energy with Elias”
Participants: Mary (Michael) and Anjuli (Myranda).
Elias arrives at 6:46 AM. (Arrival time is 14 seconds.)
ELIAS: Good afternoon!
ANJULI: Oh, Elias! This is great! I have a new game for us to play.
ELIAS: Very well.
ANJULI: I am so excited. The idea of the game came because recently I think I moved a lot to having my attention on self, now, and to notice. With that, my reality felt different. I felt in the moment to be playing my game, like receiving puzzle pieces of impressions and adding them, like a computer game. My reality is like a computer game in the moment.
ELIAS: Ha ha! And are you enjoying this game?
ANJULI: I was so excited. Sometimes my entire desire was just to tell you, Elias, look, I am so excited! (Laughs) I knew you would understand it. You are understanding how this feels, this change. Elias, I had thought how to play this new game, how to continue that now during the session. I have some suggestions, if we could do it like that?
ELIAS: Very well.
ANJULI: For the new game, I had thought of the session that Allard had. Could it be possible that you translate a message or an energy expression of another essence, like Patel or any of the other essences, for me into a sentence or an imagery? Is that easy or is that difficult? That would be part of the game, that it would be not only involving you but probably sometimes also other essences.
ELIAS: It is possible, although it does require more of an energy expression.
Now; in this, let me express to you that it may be possible to be generating that type of interaction, not necessarily in verbal communication, for that requires more of a directed energy which we may be incorporating within a period of time, so to speak. But there must be an allowance for Michael to adjust to that type of an expression and that type of energy, which is additional to what he is accustomed to.
ANJULI: Ja, that is why I am asking. I thought if that is possible, so that it is not a challenge for Michael. It would not be like an additional energy exchange of another essence, it would be more like I say an impression...
ELIAS: Yes, I am understanding.
ANJULI: ...and then you maybe say, when it happens within the game that there is an impression or a connection with Patel, you say probably Patel and a sentence which is a translation of something he would express, but not in the energy exchange. Am I clear in what I say?
ELIAS: Yes. You are quite clear and I am understanding what you are expressing. But what I am identifying to you is that this would require an additional energy, which would also require somewhat of an incorporation of a period of time in increments in order that Michael may adjust. For although I am understanding that you are not requesting an additional energy exchange to be incorporating direct energy with one of the other essences in responsiveness within the energy exchange, that requires an additional energy expression.
Therefore, you may incorporate a beginnings of your new game, and we may be involving your new game in increments but not concentratedly yet.
ANJULI: Then we can do it, for example, that I ask my impressions and we do the game and you answer, and we don’t incorporate the other essences, probably once or twice?
ANJULI: So within the new game, this would mean that the game is about there are no limitations, and it would be part of the game...
ANJULI: ...that I don’t have any expectations. We do it in a way so that I learn something about energy, also. This is, after all, why I am interested in that.
ELIAS: Very well. In this, I am expressing to you that it is possible for Michael to be adjusting to the difference in the incorporation of energy, as we engage that in increments and not in a concentrated fashion in one session, until the point that he is more acclimated to that type of energy expression. Are you understanding?
ANJULI: Ja. So we do it a little bit and then we can do in another session another little bit, or what.
ANJULI: I leave that up to you because you know better how Michael feels. (Both laugh) No, I also know that! I trust myself that I also know that. I just wanted to express I would like to start to try that game, but not so that it is difficult for Michael.
Would it be difficult or new for Michael when I ask my questions in the way I wanted to ask? This is not like normal questions. I am trying to verbalize in a different way, because I have so many impressions and they are all linked. I have trouble asking you in normal ways about my things. I would very much like to explore a new way of talking with you.
ELIAS: Very well.
ANJULI: There would then probably be much more subjective stuff going on?
ELIAS: I may express to you, it is not necessarily that there would be more of a subjective expression and interaction, for that is quite concentratedly occurring already, but rather that you may be allowing yourself to be paying attention more closely to the subjective interaction and allowing yourself to translate that objectively more easily.
ANJULI: Then I would say we try to start with the game and then we see how it goes.
ELIAS: Very well.
ANJULI: For the game I have created some categories for exploring my picture. Should I read them out? In the questions I mention the categories by number and maybe not the entire category. Is that too difficult?
ANJULI: So I first read out the categories.
ELIAS: Very well.
ANJULI: Category 1A is translating Elias and other essences into solid physical form, and 1B is energy mixes and energy exchanges. 2A is time travel, and 2B is various kinds of focus connections. 3A is making my unicorn fly, tipping the table, changing colors and forms of furniture or body or walls, etcetera, and 3B is manifesting objects. 4A is creating my reality – mass events, and 4B is exploring group energy. 5A is identifying, accepting and expanding beliefs, and 5B is exploring challenges. 6A is changing the past, and 6B is remembering the future, the now after the future. 7 is the surprise category. 8A is creating, and 8B is receiving. (1)
ELIAS: Very well, and how shall you engage your new game?
ANJULI: In the new game everything is possible, so freedom and surprises during the game. I would enter an imagery, I would say an imagery or a question or a dream, a puzzle piece...
ELIAS: Very well.
ANJULI: ...and I mention also the category. I saw that most of my puzzle pieces were about several categories. It was already interesting when I wrote down the puzzle pieces and linked them to the categories. Then you would give answers, and maybe the answer would be another puzzle piece. Ja, the answer could be in a way that it is another puzzle piece.
ELIAS: Very well, and thusly you shall connect the response with each of your categories.
ANJULI: Yes, exactly. I would connect the response with each of the categories or feel the response trigger new puzzle pieces.
ANJULI: Those new puzzle pieces and the category to the response, I would ask them in another session, or if the impression comes already in this session, then in this session.
ELIAS: Very well.
ANJULI: Probably I am too excited for that! (Both laugh) Later, when we are more used to the game, it could be that when you answer it is not the answer of Elias, but sometimes, if another essence wants to play, too...
ELIAS: Very well, I am understanding.
ANJULI: ...then the answers would come from the other essence. Or when I prepare for another session and I have a puzzle piece and feel the answer of another essence, then I ask you in a session if my translation of the puzzle piece answer of the other essence is correct.
ELIAS: I am understanding.
ANJULI: Okay, now we can start the game.
ELIAS: Very well.
ANJULI: Oh Elias, this is so exciting! First puzzle piece, connected with categories 1B, 8A and 8B, “imageries of coloring my picture,” “playfulness of my new screensaver, which is about intertwining of colors and lots of movements of colors.” (Pause)
ELIAS: This would be imagery that you may connect with intertwining energies and intertwining experiences – not merely with other essences, but with other individuals and with your explorations in other focuses also.
ANJULI: Oh, interesting, Elias. It is so interesting, this game! The next puzzle piece, category 4B, “our color game on the Eliasfamily website when we changed the colors there; Cynthia, Myranda, Oona and Nanaiis were coloring the site on one day.” That puzzle piece is connected with the puzzle piece impression about “our current exploration of the 11:11 pool of the four of us with Miliamis/Lawrence as the fifth point.” (Pause)
ELIAS: Yes, I am understanding, and this also generates an energy which creates an avenue in which you may be interactive with each other in cooperation with each other, and facilitating more of an ease and more clarity in the exploration of other-dimensional focuses, connecting those experiences with your experiences in this dimension, and allowing you to generate a translation that may be helpful to you to be understanding and accepting of differences more easily, and therefore also experiencing more interconnectedness and less separation.
ANJULI: Elias, I am so glad that I started the game! (Elias laughs) That is so exciting. Next puzzle piece, categories 1A, 1B and 2B, “Sandel’s session in which she asked about her experience of meeting Elias in a bookstore” and “my many sorcerer imageries, bookstore imageries, book imageries and dragon imageries.”
ELIAS: Yes, and this is an example of that interconnectedness and of your system, so to speak, of communicating through energy and experiences, and therefore generating an offering of energy to each other to be creating different manifestations, offering a supportive energy to each other to be accomplishing what you want in association with your interactions with myself and manifestations.
ANJULI: Next one, category 1A, “the East German soldier on top of the wall in Berlin when it fell, and when I was in Berlin” and “I gave him a rose.” Was this a manifestation of you, and Rose lent energy to it?
ELIAS: A brief pop-in, so to speak, yes.
ANJULI: So it was not that your energy was with the soldier but that the soldier was a brief physical pop-in of you?
ANJULI: Categories 8A and 8B, puzzle piece, “when I wanted to write down this category of creating and receiving, in that moment a package of new books arrived, fantasy books which I ordered.” (Pause)
ELIAS: Ah. This would be... One moment. (Pause) This would be an expression associated with Patel, and that energy offering a connection in imagery of the ease of generating actual physical manifestations in association with movements in a manner of playfulness, to be incorporating a reminder of the significance of playfulness.
ANJULI: Oh great! Category 2B and 4B, “the book I read called ‘The Dragon Triangle,’” “an ancient civilization mentioned there,” “the great flood, which is a Milumet imagery according to something in old sessions,” “a large crystal in that book which can change weight and has great power.” That is a long puzzle piece, Elias. “Two pyramids in that book which were rising from the ocean, connected with a tunnel in the form of a serpent.” More aspects of this puzzle piece are “my crystal and my fluid focus.”
ELIAS: Yes, and these are all interconnected with regard to the different qualities and expressions of each of the essence families, which may be interconnected with Dream Walkers associated with each of the different families and their different expressions, and allowing for the recognition of the qualities of all of the families within each essence and also within the expression of each focus, regardless of which family the individual is belonging to and aligning with. But allowing for recognition that although those may be the dominant qualities, all of the other qualities of all of the other families are also incorporated within each individual.
ANJULI: The next would be an extension of that one. There is another book called “Akte Atlantis,” also about an ancient civilization. They mentioned that the ancient civilization had the name Amenes. I was wondering if such a civilization has been living on earth, and if I have a BC focus with the name Marinda in that civilization, born 8110 BC.
ANJULI: The Amenes, these people, this ancient civilization, this is the civilization we connected with the other-dimensionals in Atlantis, but they were called Amenes and they were before we created the great flood?
ANJULI: Categories 1B, 2B, 4A, 5A and 8, “the book ‘The Mallorean Saga,’” “the child called Errand who is able to touch the powerful crystal ball ‘Eye of Aldur’ without being harmed and who has no fear about whatsoever” and “he is raised by the sorcerer Belgarath and his daughter Polgara,” and my impression of “the child being a current energy exploration of me” and “Belgarath and Polgara, a connection with Ordin and Otha.” (17-second pause)
ELIAS: One moment. (15-second pause) Very well. Your impression is correct as to the connection with these two essences, and (14-second pause) the response is associated with a communication concerning power and that it is unnecessary to incorporate fear.
ANJULI: Is it still all right to continue with the game? Is this too difficult?
ELIAS: Perhaps we shall engage a continuation of this game within our next meeting, for I am aware of a fluctuation in Michael’s energy.
ANJULI: Ah, and I asked you in that moment!
ELIAS: Ha ha ha! Therefore, you also are paying attention.
ANJULI: (Laughs) Yes. We continue in a different way. I have some more focus impressions to ask you.
ELIAS: Very well.
ANJULI: We said in that other session that of my seven new additional focuses, two are AD. My first impression is that one of them has the name Sachita and lives on the Solomon Islands, born 1752 AD, and that she meets Louis-Antoine de Bougainville who is a focus of Elias. (Pause)
ANJULI: Yes to everything?
ANJULI: The other AD focus, my impression was, because I very much wanted to have a focus there, in some of the old sessions you mentioned there is a South American tribe with less distorted religious beliefs...
ANJULI: ...and I think I have a focus there. The name is Tuana, 521 AD.
ANJULI: We said I have created four additional future ones. The first would be Angelo Avery, 2302 AD, and he is gay and is gender changing because he wants to create children. Is this correct?
ANJULI: That is funny. (Elias laughs) That is just so funny. The next one is Geordi Leone, an African-American with some Italian mixture in him, born 2482.
ANJULI: My impressions about him are correct?
ANJULI: Was that the focus I saw once when I woke up and I saw a translucent apparition? It was very short. It was an African-American man, and I thought it was this focus.
ANJULI: And then Inni Lane Kanakaredes, south European and North American origin, 2682?
ELIAS: Three, yes.
ANJULI: I connected her with my other-dimensional focus, Thetis. Is she connecting with her?
ANJULI: Is she sometimes changing into a dolphin, or is this a connection with my other-dimension focus, Thetis?
ELIAS: The latter.
ANJULI: The last one is my third focus with the name John Newton, so I would have a past one, a present one and a future one. But he doesn’t use that name, he calls himself only Joe or Cherokee, 2881. Is all of that correct?
ANJULI: Great, Elias. Thank you.
ELIAS: You are welcome.
ANJULI: I had a dream about two other-dimensional focuses or beings that were connecting with me. One of them was my focus and the other was probably you. They were of the kind that my future focus Aimee also connected with, and she was taken on a ship with them. You said they were more elongated, that they have a normal body but a different kind of head. Is this correct?
ANJULI: One was a focus of me and the other was you?
ANJULI: Elias, they are so interesting! I was not afraid of them although they look a bit strange. (Elias laughs) They have such a gentle energy. When I dreamed of Aimee connecting with them and she was taken into their ship, I felt that she was not afraid at all. Now when I dreamt of them, there was not the slightest fear or challenge, although they look so different. Is that their gentle energy?
ANJULI: When I dreamed of them, they were not completely solid. They were translucent solidness.
ELIAS: Yes, you are correct – and quite tall.
ANJULI: (Laughing) Do they fit into my room? (Elias laughs) Then I had a dream about a group of beings flying in a shuttle to a moon. Afterwards I had the feeling it was the same moon I once dreamed of, that I was flying there. You mentioned that it’s not their moon but a moon that had a civilization there, an artificial civilization. This was that moon but before there was this civilization. There was nothing on the moon but a museum and the group was going there. When they were there, one was disengaging because of some strong energy there, an energy field. I connected with the energy field and it was like a ghost, either an other-dimensional being or a disengaged being, but it was a little bit frightening. When I woke up, my entire energy field was different. I was wondering what that was.
ELIAS: Offering yourself information and also imagery of an experience in association with future potentials, not connected with this particular focus but associated with future focuses and experiences that they engage in regard to traveling to other moons, which do incorporate other energies, and allowing yourself to be connecting with those experiences of those other focuses, recognizing that other areas, so to speak, or what you might term to be other worlds also incorporate their challenges in creating some energies that you would consider to be dangerous.
ANJULI: This other moon, this would mean that if that would be created, this other civilization, that has something to do with dimensions within this dimension?
ELIAS: Partially, and also partially of discovery of other civilizations, so to speak, within your known universe.
ANJULI: When I wanted to explore other civilizations within our known universe, in my impressions I had an imagery of a gate in a city, which felt very similar to our City.
ELIAS: To your future city? Yes, you are correct.
ANJULI: Is that a civilization where I have focuses on another planet in our universe?
ANJULI: I wanted to ask you a little bit about what I am exploring, about what to share and what not to share in the sessions, when I am sharing the transcripts. That’s a complicated question because there are so many impressions in that. I learned a lot from that, my reactions, my reactions to reactions, and about opening myself and sharing and creating exposure and vulnerability.
ELIAS: And what is your concern?
ANJULI: Sometimes there is an impression... I want to know, to understand, can sometimes the sharing also be too much? For example, when I ask you something that is interesting to me, but it would be confusing to share that with other people?
ELIAS: Now; let me express to you, Myranda, this is a matter of listening to you and not confusing yourself by concerning yourself with what other individuals may be incorporating in relation to what you share.
In this, I may say to you that you may choose what you want to be sharing and choose what you do not want to be sharing. You may be incorporating that expression of exposure and vulnerability, and not express to yourself that you have to be sharing every aspect of yourself or your experiences or your encounters with other individuals.
But also, in another regard, do not limit yourself if you want to be sharing your experiences and your interactions. Do not restrict yourself, incorporating the basis that other individuals may misunderstand or that it shall be confusing to them. For those are their choices, and they may choose whether to receive and whether to participate or not. That should not be what dictates whether you allow yourself to express yourself.
Now; if you are apprehensive and you are listening to yourself and you choose in any particular moment not to be sharing some of your interaction for you may be anticipating a responsiveness from other individuals which is uncomfortable to you, you may choose how you incorporate what you share with other individuals. Allow yourself the freedom to express what you want. If you are incorporating excitement and wish to be sharing your experience with other individuals, allow yourself to do so. But listen to yourself also, and if you are receptive to an energy which is uncomfortable to you, allow yourself to be responsive to that also, and not force yourself to be interactive in an uncomfortable manner.
ANJULI: Elias, one day I had a feeling within my energy mix explorations of a connection with Lawrence, and you were there. It was a feeling that Lawrence and I were probing a little bit, doing some similar little bit of energy mix game as you and I are doing. Is this correct?
ANJULI: That was fun. Elias, I have had this question for a while and somehow never dared to ask verbally. But I am so curious if I can explore within my energy mix doing something like Michael does, not in the way she does to have sessions for people, but just to know, for my own explorations, and you use my body.
ANJULI: Really? I thought I can, but I didn’t dare. This session I decided I would ask and talk about it. There are some beliefs around that. Then I can do it for myself? I can create that and then train that a little bit, for example, when I do this sort of thing, you talk? I could type, for example.
ELIAS: That would be a translation. Any audible verbal communication, that would be a translation that you would generate in association with allowing yourself to be connecting with my energy.
ANJULI: I cannot do it in the same way that you do it now with Michael?
ELIAS: Not with myself, for I choose to be engaging this energy exchange with merely Michael and not generating that type of exchange with other individuals. This is not to say that I am not engaged with other individuals and that I am not generating an exchange with them, but in a different manner, not incorporating a directed energy in which it shall be projected in a fashion of actual verbal expression outwardly.
But you may be interactive with me and with my energy, and if you are generating an openness, you may allow yourself to translate what I am expressing in energy and you may express that verbally for your own identification and for your own understanding.
ANJULI: We would do an energy mix like we already did, and this energy mix is expressed differently, not as you do it with Michael through the blue energy center, but in other ways, as we did already.
ELIAS: Yes, which you have allowed yourself an openness and you have allowed yourself to recognize my energy exchanges with you in different manners, and in that, you are noticing my presence and my actual interaction with you, at times even physically.
ANJULI: When we do that, it goes through various kinds of energy centers in various kinds of ways?
ANJULI: Our hour is soon over, and I asked Mary if I can do a short questioning for my mother.
ELIAS: Very well.
(Omitted by request)
ANJULI: Oh, Elias, I did my game with you!
ELIAS: (Laughs) And so you did!
ANJULI: And we continue with my game off line, and so it’s all the time a game with many impressions and puzzle pieces and connecting.
ELIAS: Yes. It shall be quite playful, and interesting to view all the interconnectedness of all of these expressions.
ANJULI: It somehow works without much thinking about it. All the impressions and connections, somehow I don’t intellectualize them so much. But it’s playful and it works.
ANJULI: That was exciting. I am continuing to explore my memories.
ELIAS: Very well – past and future. I am encouraging of you and I am continuously offering you my supportiveness and my genuine affection, Myranda.
ANJULI: Thank you, Elias. It was great fun.
ELIAS: I express to you, in my anticipation of our next meeting, tremendous lovingness that you may hold to you.
ANJULI: Thank you. I love you very much.
ELIAS: In great fondness, my dear friend, au revoir.
ANJULI: Au revoir.
Elias departs at 7:49 AM.
(1) Anjuli’s note: I put my various main interests and various avenues of exploring into these categories, but I may expand them. I may create new ones when they come up in a puzzle piece I offer or in the answer of Elias or other essences.
© 2003 Mary Ennis, All Rights Reserved.