Sunday, April 15, 2001
ďTension, the Camouflage of Humor, and an ExerciseĒ
Participants: Mary (Michael) and Patricia (Liva).
Elias arrives at 11:38 AM. (Arrival time is 24 seconds.)
ELIAS: Good morning!
PATRICIA: Elias! (Elias chuckles) Whatís up, partner?
ELIAS: Ha ha! We meet again! (Jen laughs) How goes your adventure?
ELIAS: Ah! Very well.
PATRICIA: How goes your adventure?
ELIAS: As always, an adventure! (Chuckling)
PATRICIA: Ah, okay! Things have been good, Elias. I got my session, the last one, on Friday, which is pretty timely. I was amazed. It was cool that I got it on Friday. So itís coincidental, but not. (Elias chuckles) Did you see my new sculpture?
ELIAS: I may express to you...
PATRICIA: (Laughing) Itís good to talk to you! Go ahead, go ahead.
ELIAS: I do not generally incorporate directing energy in the manifestation of visual incorporation.
PATRICIA: (Laughs) Have you been playing with the lights?
ELIAS: Merely offering an expression in allowing you the recognition of my presence.
PATRICIA: Cool. (Elias chuckles) Well, Iíve been working in school and pursuing that, school. Thatís been good, pretty good. Iím doing well. Iím not always sure if itís ... like we talked about last time, I donít want to discount myself or waste my time with it, but I do think it is beneficial to me to be in school and to do that stuff, to study and to open doors and all those ideas.
But, Elias, I want to make some cash! (Laughing and Elias chuckles) I like to use my creativity. I like to paint and do sculpture and all that stuff. Iím interested in that. I really want to do that as a career. What do you think about this, in terms of my acceptance of self?
ELIAS: (Chuckling) I may express to you, you are already allowing yourself an expression of acceptance of your abilities and your creativity, which is and shall be quite beneficial.
PATRICIA: (Laughs) I love your wording. Itís great! (Elias chuckles, and a pause)
Oh, okay, hereís something. I think I projected, but I was in the subjective. It was when I was living in New Hampshire, and I guess Iím really kind of asking for a validation, if you can tune into this, what I was doing. I was in my bed and I floated out of my body, and then I was suddenly at the beach, wading through the water. And oh, oh Elias! The main thing is all those sounds I heard. Can you pinpoint any of the sounds? I remember you were there, but you canít be! There was ripping, like metal. (Jen makes a screeching sound, and laughs) Transcribe that! What do you think?
ELIAS: I am understanding, and I may express to you, you are correct that you have allowed yourself to be projecting within consciousness and allowing yourself an objective recognition of this projection and your travel, so to speak.
I may express to you, the identification of the sound that you experienced is associated with your energy in the action of this projection.
ELIAS: Now; let me also express to you that as you may be choosing to be projecting futurely, you may not necessarily incorporate this type of sound or that sensation in relation to the sound. This is an influence of underlying beliefs concerning the mechanics, so to speak, of this action...
PATRICIA: Ha ha! Thatís cool.
ELIAS: ...and therefore you incorporate a sound which, in a manner of speaking, is your imagery that you present to yourself in relation to a movement that is almost a forcing apart, so to speak, of one aspect of your consciousness from another aspect of your consciousness, and your interpretation of this is to be creating this sound.
PATRICIA: Yeah, it was dramatic. (Elias laughs) Itís cool though. Itís real entertaining! (Elias chuckles)
So, thereís so many different things that I could ask Ė just a matter of what do I want to hear and what do I want to hear myself say?
Oh, okay, hereís a fun one! I did an objective translation of my subjective movement, and I had a dream about Sammy Davis Jr. dancing, and then I like related that to Gonzo. What the hell was I dreaming about that for? I donít think about Sammy Davis Jr. in my daily life, Elias. Can you help me ... like, what?
ELIAS: And what is your impression concerning this imagery?
PATRICIA: (Laughs) Maybe because heís a dancer and an entertainer, thatís one thing. Thereís also a possibility that maybe Iím connected with him, like I could be him or something; maybe itís that. It seemed like I was just sort of playing with it, creatively. I guess I donít really have a super solid impression. Sometimes I dream about things and I can piece it together, that goes with this movement or this thing that Iím doing, or that. But this one, I donít have a real strong impression. But those little hints that I gave you ... I donít know, what do you think?
ELIAS: Very well. I may express to you, you incorporate these two characters...
PATRICIA: Because of their noses! (Laughing)
ELIAS: Ha ha ha! Not necessarily! (Laughs) But to be offering yourself a communication concerning creativity, you present yourself with one image in association with seriousness and an appreciation of talent and creativity...
PATRICIA: That must be Sammy!
ELIAS: Correct. You present yourself with the other image in relation to playfulness, to be incorporating both expressions simultaneously.
PATRICIA: Oh, god, cool! (Elias chuckles) Now thatís strange, because I donít think about Sammy Davis Jr. when Iím awake, like right now. You know what Iím saying? I donít think about Sammy that much. Why did I choose Sammy?
ELIAS: It matters not. It is merely an expression that you choose that shall gain your attention.
PATRICIA: Well, it did. Remember like two sessions ago, we were chatting about Jesse? ĎMember that? Yeah, you do. Okay, then I had a couple of dreams afterwards, and I used him as imagery. Iím wondering how much of this is like Sammy Davis Jr., like on a whim Iím going to choose this to get my attention? How much is it the possibility that it was actually me projecting somewhere, meeting him, like his essence really talking to me? This is a good question. Thank you!
ELIAS: In relation to the other individual, correct?
ELIAS: In this, I may express to you, you create a different action than that of your dream imagery.
PATRICIA: I kind of thought so.
ELIAS: This is an allowance of yourself to be projecting energy to be interactive with this individual.
PATRICIA: I knew it! I knew it! That is so cool! He is such a nice buddy Ė in some lives! Whoa! Did I have a life with him, Elias, where he was a Nazi, and I was not a Nazi and was persecuted? I think that I did. Why should I have to ask that, Elias? Can you answer both questions?
ELIAS: Very well. I may express to you, yes, you are correct in your impression.
PATRICIA: Jesus Christ!
ELIAS: I may also express to you, the reason that you present these types of questions to me is that you may validate your impressions to the point that you allow yourself no more doubt in relation to your impressions.
PATRICIA: Definitely, yeah Ė good call. Youíre full of good calls! (Laughs) Iíve had a lot of dreams. I havenít talked to you for a while! Now the last time I was going to talk to you and it was kind of set, I was living in New Hampshire Ė how coincidental was that! Of course, Iím sure I created it myself. But then my sister had the phone shut off for an hour Ė coincidental, not really, but you know what I mean ... pretty amazing, just for that one hour. (Elias chuckles) But I think that happened because there were certain things that I was allowing myself to do myself, like work through myself. I think that thatís the best. I know Iíve created movement since then in things that Iím interacting with you to create movement in.
ELIAS: Yes, and you are allowing yourself more of an expression of interaction with other individuals also, are you not?
PATRICIA: Other individuals on earth?
ELIAS: Ha ha ha ha! Yes.
PATRICIA: Yes, definitely. It doesnít always work out the way I would like it to in certain instances, or perhaps maybe it does work out the way I want it to, in some ways, in relation to romantic entanglements. (Laughing) I hope thereís some probabilities Ė I donít know, maybe I do, maybe I donít. But see, Iím a softie, and I think that makes me want a relationship to be a certain way, and as we know, the amount of people there are that are softies, you donít really meet that many of them. But maybe I can! Got any comments? (Elias chuckles) Please, E?
ELIAS: I may express to you, within this time framework and within your movement in creating a relationship with yourself, I may suggest that you may consider not necessarily seeking out an intimate relationship romantically with another individual of this orientation.
PATRICIA: Of soft?
ELIAS: Ha ha ha! You may be...
PATRICIA: Why? ĎCause theyíre all out of control, arenít they?
ELIAS: HA HA HA HA!
PATRICIA: I bet they are. I know me ... well, you know! (Laughs)
ELIAS: Although you speak the same language, I may express to you, romantic entanglements between two individuals of this particular orientation may be quite challenging.
PATRICIA: Why? Because itís so much? That weíre just being expressed? (Giggles)
ELIAS: For you are creating the same type of action with each other, and in this there is an intensity of mirroring, and at times with the expressions of individuals holding this orientation of soft, there may be an expression of friction, so to speak...
PATRICIA: Oh, no shit! I wouldnít have guessed that. I donít think Iím really interactive with a lot of softies right now, except maybe that kid, Alex. Is he soft?
PATRICIA: He is! (Laughing) Okay, I know what youíre talking about. Itís too much! It is sort of too much.
ELIAS: Let me express to you, my friend...
PATRICIA: Holy shit, thatís great.
ELIAS: ...individuals that hold this orientation of soft may be creating quite strongly expressed intimate relationships with other individuals holding that same orientation. But I may also express to you that these types of relationships shall quite challenge your acceptance of self, for you may be expressing more of a requirement, in your terms, of your own recognition of acceptance and the ability to hold your attention upon self, in a manner of speaking more strongly than individuals holding the other orientations.
The reason that this is expressed many times in relationships with two individuals holding this orientation of soft is that the mirroring of each other is expressed quite intensely. Therefore, that action creates an ease and a familiarity with projecting your attention outside of yourself, for this is a familiar expression within your physical dimension. Therefore, your automatic response to the other individual, generally speaking, shall be to focus your attention upon THEM.
PATRICIA: Yeah, when I interact with him, I really lose it. I mean, I was thinking of it like, ďWhat am I doing? NOW what am I doing?Ē
PATRICIA: But see the thing is, Iíve been working with you and thinking about all these things, and I think I have ... but as I looked around my focus and there was my buddy, Jen, and a lot of the time we would think about these kind of ideas and things, but I donít think he particularly has my mindset. I wouldnít say my mindset is absolutely stable, but I think I have more of a stable like mental ... you know what I mean?
ELIAS: Merely different.
PATRICIA: Merely different, okay. (Elias chuckles) Letís talk about my intent, my intent and my color. These are fun ideas to talk about. Can you tell me what my intent is?
ELIAS: May you express to myself what your intent in this focus is? (Chuckling)
PATRICIA: My intent in this focus is to be ... I think my intent in this focus is to explore. Ha ha ha, easy! And to work within the action of this shift with my creativity, and also it has a lot to do with learning a lot of information, because I always want to know stuff and I always want to read the book.
ELIAS: I shall offer to you more specifically, your individual intent in this particular focus is an exploration of how you may be translating information that you assimilate into an expression of your creativity.
PATRICIA: Thatís great! Okay, say it again, please?
ELIAS: Your intent is an expression of translation, simply put. For what you are exploring is how you may express information through different philosophies and different ideas into a translated expression through your creativity.
PATRICIA: That is exactly what I was thinking about, like about painting the ideas! Yes, yes, yes! That is so cool! Thatís so exciting. Woo hoo! (Giggling, and Elias chuckles)
ELIAS: Now, express to myself your impression as to your color.
PATRICIA: Well, Iíve been working on this one. I like a lot of colors, man. Itís hard to say. I think its something pastel. I mean, Iím not like an indigo, you know. I think maybe itís a light green, like lime green, this light chartreuse green. Yes ... no ... maybe Ė I donít know.
ELIAS: Yes. You are correct.
PATRICIA: Iím correct?
PATRICIA: Woo hoo hoo! Goodie! (Elias chuckles) Oh, that wasnít so hard. Can you give me another name for it, like spring green?
ELIAS: No. I may express to you that this particular hue holds a lighter tone, in your terms, than that which you identify as spring green. I may express to you, an identification of this particular hue may be associated more accurately with a type of eggshell green.
PATRICIA: Eggshell green Ė like Easter eggs? (Laughing, and Elias laughs) Nice! Cool! Iím going to make some green eggs ... if I can get the money to buy some eggs!
Okay, hereís one. I want to interact with my friend, this individual ... can I have his essence name?
ELIAS: Offer identification.
PATRICIA: Shit, all right. Umm ... Dowmana. Ha ha!
ELIAS: I am not inquiring as to your impression of the individualís essence name. I am expressing to you that you offer the identification of the individual. Ha ha ha!
PATRICIA: Oh, okay; Jesse. (Laughs)
ELIAS: Very well. Essence name, Alonn, A-L-O-N-N (AY lon).
PATRICIA: Shit, his last tape sounds like an ďalonn.Ē (Elias chuckles, Jen laughs) Do we have another focus where weíre aliens?
PATRICIA: And weíre friends, I bet. Are we in a war?
ELIAS: Not in the terms or associations that you identify in relation to war within this dimension, but there is an expression which may be translated in this dimension as conflict.
PATRICIA: Against each other?
PATRICIA: Cool. Iím glad we can be on the same side. (Laughing) I think when you have conflict in another focus, that strength of energy and the emotion and all that, even though itís not what you call positive, it does attract ... well, if youíre going to go to war with someone, youíre obviously going to be attracted to them because youíre going to go with them or go against them, but anyway youíre going toward them in some way. That was fun to say! Ha ha!
How about this dream, for shits and giggles? The dream was about the deejay who was standing at a performance at the turntables, and Iím walking through the room and I look at him and we recognize each other. I keep walking, and then it gets chaotic. Thereís somebody rubbing drugs on me, on my area.
My impression of that ... Iím anticipating youíre going to ask me what my impression is, so Iím going to go ahead and say that my impression of that is that I really donít have much of one, and if I did, I probably wouldnít ask. Can you help me here?
ELIAS: (Chuckling) First of all, attempt allowing yourself a translation.
PATRICIA: Okay. (Laughs) Could it be ... okay, so when I looked at him and we recognized each other, it was some sort of connection I have with him, and then when everything got chaotic and there was the gun and the drugs being rubbed on me, in my association with that, my sexuality was an element. (Laughs) Thatís really all I can get, though. I donít really understand the meaning, or why I would give myself those images. What am I trying to do with it? What am I doing when I have those dreams and these sorts of things? Maybe you can get a little general when you answer me. Do I do it to get myself to recognize that, maybe to emphasize it?
ELIAS: Yes, you are correct. I may also express to you that as you create this type of imagery, you are also allowing yourself in more of an extreme expression the opportunity to view and address to your fear and your association in relation to your expression of sexuality within your physical outward expressions and experience.
In this, you create the association with the drugs, so to speak, for there are two associations in relation to the drug which you incorporate as a symbolic type of message, in a manner of speaking. One of the associations is that it is unacceptable...
PATRICIA: The drug?
ELIAS: Yes, and also partially incorporating fearfulness. The other association is excitement. Therefore, you create this imagery in relation to your association with sexuality. One aspect of your beliefs moves in the expression of excitement, another aspect of influence of your beliefs moves in the expression of reservation and hesitation in relation to fear and some expressions of unacceptability.
I may express to you, the identification of your meeting of the other individual in this dream imagery is not necessarily an expression of meeting or knowing a specific individual. This is a representation of any individual that you may be encountering in which you shall call into question, in your terms, aspects of your expression of sexuality.
PATRICIA: Hmm. Hmm, hmm. (Pause)
ELIAS: Shall I express to you, my friend, the question of whether you, in actuality, wish to be exploring this subject matter presently? For I may express to you an identification of hesitation within your energy field, and wish not to be intrusive to you.
PATRICIA: Right. I really want to move as much as I can in the acceptance and identifying my beliefs, and that is again an exciting and a hesitating and somewhat fearful part of my life. But I donít know, I feel compelled to do it. Thereís so many beliefs in that area, and thereís so many cases of what do other people think, and...
ELIAS: You are quite correct, and there are many automatic associations.
PATRICIA: I guess I just want to talk about whatís going to be most beneficial for me to concentrate on. That is something that would be really good for me to go into and think about and examine and explore. But I know that I only have so much that I can cover with you today, and I just want to do whatís best right now, cover whatís best.
I donít know if you know or ... I just kind of feel right now like ... Iím not stuck, but thereís a lot of different things that Iím thinking right now. (Pause)
Going over my junk with you has cleared up for me what I go through, you know what I mean? Talking about that, I feel really validated in the ideals that I have for my life. I feel good about that, and I can go through my day, go through school, and feel a lot more motivated. But then also I want some excitement. I want to go out and dance and do all my things, and I want more of that. Is there anything we could talk about that will help me in that area?
ELIAS: Very well. I shall express to you a suggestion.
ELIAS: You may allow yourself a noticing and paying attention to yourself and to your energy field.
Now; what I am expressing to you is that you may allow yourself to engage an exercise in which you may observe your own energy field, and as you allow yourself to observe your energy field, become familiar with the expression of your energy. For I may offer to you, you create an expression of tension...
ELIAS: Yes! And you camouflage this tension with humor.
Now; in allowing yourself this exercise in which you may be noticing your energy field, you shall notice in the time frameworks in which you are camouflaging, you begin pulling your energy field closely to your physical body consciousness. Your energy field becomes tight, in a manner of speaking.
Now; as you allow yourself merely the noticing of this action within your energy, you may also allow yourself to relax that expression and expand your energy field, and you in actuality may allow yourself a visual in relation to this action. This may be the expression of your exercise.
Now; as you allow yourself to relax your energy field, you shall also view that it is unnecessary to be maintaining the camouflage. Allow yourself to recognize that you need not be entertaining of all other individuals. You may be merely expressing your presence, and as you allow yourself to be relaxing of your energy field, you shall allow yourself to be much more receptive to the energy of other individuals, and you shall allow yourself to express outwardly an energy to other individuals that may be more easily received. Are you understanding?
ELIAS: For you shall create, in a manner of speaking, more of a lightness of your energy as you dissipate that tension. Let me also offer to you the suggestion that in this exercise, you allow yourself playfulness.
Do not incorporate a seriousness in this action of allowing yourself to view your energy field. I may suggest to you as you allow yourself in playfulness to be viewing your energy field, and you are noticing that tension and the tightness of it, perhaps you may allow yourself to engage an action of tickling your own energy field. (Jen cracks up) HA HA HA! And this shall playfully allow you to be relaxing and incorporating genuine humor rather than the camouflage. Ha ha ha! And you may be incorporating FUN with this exercise.
PATRICIA: (Laughing) Okay, Iíll try it! (Elias laughs) Was I the one that moved the Ouija board the other night?
PATRICIA: Because of tension, it didnít move as much as it did with my friend Paula, did it?
ELIAS: You are correct.
PATRICIA: I have a question. How are my other buddies that are around right now, the other meís that are around, the other focuses? (Elias chuckles)
ELIAS: And what shall I express to you in response to this question? They are! (Chuckling)
PATRICIA: Is one of them Chinese?
ELIAS: Yes, you do incorporate a focus in that culture.
PATRICIA: Is another one American? Probably a boy.
ELIAS: In this time framework?
PATRICIA: I have another dream Iíd like to ask about. I was in a circle with the psychic slayers. I made someone sick, and they called on the phone. I wonder what thatís about.
ELIAS: This is merely imagery that you have presented to yourself in identification of the strength of your perception, that you may be creating any action within your physical expression for it is your own perception which creates all of your reality. Therefore, you may not in actuality be creating illness or physical affectingness in an actual other individual, but in your creation of that individual, through your perception, you may be creating this type of expression.
PATRICIA: Creating what?
ELIAS: As I have stated previously, you create every aspect of your reality. Therefore, you also create all of the individuals that you interact with. You create your projection of other individuals through the mechanism of your perception. Therefore, you may be creating any expression within your reality of any affectingness of another individual in your projection of them.
PATRICIA: Thatís really an interesting concept. Well, if thatís true, then couldnít it also be true that I can have whatever I want?
PATRICIA: Okay. Well, I want to do that.
ELIAS: You may.
PATRICIA: Is there any information that you can give me that will help me do that? Because right now there are a couple of things I want that I donít have.
ELIAS: I may express to you that you may create ANY expression or manifestation that you want, and in this, you may be allowing yourself to be actualizing your want by recognizing what you express within yourself that blocks that ability.
Generally speaking, you shall block that ability in denying yourself choice. As you deny yourself choice, for you incorporate influences of beliefs that express to you the statement that you cannot, you shall not. But as you allow yourself to discover what you express to yourself in denial of your own choice, you may also turn your attention and offer yourself permission that you may allow yourself to create what you want.
PATRICIA: But which choice?
ELIAS: Any choice.
PATRICIA: Iím thinking of what I could do, you know what I mean? Like when I hang up the phone, what I could do to give myself more choices.
ELIAS: Allow yourself to pay attention to you. Allow yourself to be noticing your own communications that you offer to yourself, pay attention to your emotional communications that you express to yourself, and in viewing a want, allow yourself to investigate inwardly what you express to yourself, what choice you deny yourself which creates the lack of what you want.
Many times individuals deny their choice in relation to other individuals, for many times you create an association within yourself, denying yourself certain choices as you allow other individuals or even establishments to dictate to you what you may or may not accomplish, what you can or cannot do. These, many times, are quite automatic associations, and you have become very familiar with your automatic responses. This be the reason that they have become automatic, and as they are automatic, you do not allow yourself an objective identification of what you are responding to.
PATRICIA: You say all that, but still I donít ... I mean, I could think of a few choices but...
ELIAS: Offer to myself one example.
PATRICIA: Okay. Next weekend I would like to go to Washington, D.C. I would like to go down there in my car, and I would go dancing at this club. It would be really fun, and I could see Alonn. That would be fun. But I am limited by my money, because I have to pay tolls, I have to fill up my gas tank, I gotta pay to get in. Those are my limitations. So I donít really see a lot of choices there as to how I could create that really, in reality how I could do that.
ELIAS: Very well. I shall incorporate this example, and offer explanation.
In this, you identify an action that you want to create. You also identify an objective expression that you view to be preventing you from accomplishing this action, or hindering you.
Now; this, in actuality, may be quite simply viewed. You view yourself to be limited in your ability to generate money.
ELIAS: And in this, you express to yourself limitations in your choices. You view that you NEED money to be accomplishing certain actions. Therefore, you allow the money to dictate to you your choice.
PATRICIA: Yes. Itís quite an establishment.
ELIAS: Now; as your perception creates ALL of your reality, you may incorporate the choice to turn your perception. You may be, quite simply, expressing to yourself the affirmation that you shall create your choice and that it matters not. You may trust that you do hold the ability to generate what you want, and if the expression of money accompanies what you want, then you shall offer yourself permission to trust that you shall generate that also.
I am understanding that what I am expressing to you presently seems objectively, to you, to be fantasy and oversimplifying, and that within your expression I, Elias, am not occupying your physical focus and therefore I have limited understanding of the workings of your physical dimension. And I may express to you, quite incorrect. This may appear initially to be quite simplified, but in actuality this IS the manner in which you may allow yourself to accomplish what you want. It IS that simple.
The mere recognition that you are allowing a thing, so to speak, a physical manifestation within your reality to dictate to you your choices, in genuineness, in itself is quite a realization, and in actualization offers you much more of an expression of freedom in allowing you to create your choices and to be directing of your movement rather than being directed by a manifestation.
PATRICIA: Iím going to do this. I was going to say, ďIím going to try and do it.Ē But then I changed it to, ďIím going to do this.Ē
ELIAS: Very well, my friend!
PATRICIA: I really want to do this.
ELIAS: I may express to you also, do not incorporate continuous thought concentration in this manifestation, for that type of concentration is not the expression of trust. As you continue to incorporate concentration within thought upon the subject matter, in actuality what you are creating is a reinforcement of your lack of trust.
PATRICIA: Right, because then I donít really think I can do it, so I sit around thinking about it like that will help.
ELIAS: Correct. Therefore, allow yourself a genuine expression of trust in which you need no objective thought process and concentration, but that you do not doubt the power of your abilities and your perception. (Pause)
PATRICIA: Hereís another thing Iíd like to address to, which is sometimes when I get ... let me talk about addressing to emotional communication. Sometimes I feel when I go through my days and I donít feel all that motivated, I feel kind of bored. Is that because of the limitation that Iíve created in the past? Because if I could go and chase down all of my wants, I donít think I would feel that way. I wouldnít feel so bored.
PATRICIA: Well, thatís easy! (Elias chuckles) Why are you laughing?
ELIAS: I express to you quite an affection. (Chuckles)
PATRICIA: Iím blushing! Okay, and so... (Laughs) I really want this to go just easy-peasy.
ELIAS: (Chuckling) And it may. (Jen giggles) And this be the reason that I have offered you these exercises and explanations in simplicity, that you may allow yourself to not be incorporating complications. (Both laugh)
PATRICIA: Complexity is not always a virtue!
ELIAS: Ha ha ha! Quite!
PATRICIA: Oh, okay, hereís a game. My mom is aligned with Milumet. True or not?
PATRICIA: Ha! I knew it! That rocks! My dad is ... what the hell is he? Sumari? Heís aligned with Sumari?
PATRICIA: He is? Holy moly! Thatís amazing! What is his essence family?
ELIAS: Essence family, belonging to Sumari.
PATRICIA: Ah! Well, thatís something. I bet thatís good for his job, his Sumafi-ness. What is my momís essence family? Vold?
PATRICIA: Ha! Wow. They are electric sometimes. (Elias chuckles) My sister is one whoís Sumari and her essence family is Vold.
PATRICIA: No? Okay, essence family belonging to Sumari aligned with Sumari?
ELIAS: No. Belonging to Zuli.
PATRICIA: Oh, sheís belonging to Zuli! Oh, cute! (Giggle) Thatís cute. And what is her alignment?
ELIAS: You are correct.
PATRICIA: Oh, I like that. She is a cute one, isnít she? Good for her. No wonder she wants tattoos and things! Sheís a little dramatic in her outfits. I like that.
ELIAS: I may express to you, I may be incorporating one more question and we shall be disengaging.
PATRICIA: Okay. Iím ready.
ELIAS: Are you wishing to be offering one more question?
PATRICIA: Oh! How is my flower? (1)
ELIAS: (Chuckling) It IS!
PATRICIA: Oh, come on! (Elias laughs) Thatís not good enough!
ELIAS: Ha ha ha! Shall you rephrase your question?
PATRICIA: How is it? Can you give me a detailed description of my flower and its present state in comparison to what it has been pastly? And is there any manifestation of this on earth presently that I may go and do?
ELIAS: Presently, in actual physical manifestation, no Ė perhaps futurely, if you are choosing to create it.
PATRICIA: Woo hoo hoo hoo! (Giggles)
ELIAS: Which may, once again, serve as a validation to your recognition of the power of your perception, that it creates actual physical manifestations.
PATRICIA: The things that we talked about today are ... thereís a whole lot of them, some very exciting and entertaining ones, and the way that Iím used to creating, itís going to be interesting to do it the new way. I think I actually used that method before, and I was real surprised.
ELIAS: Quite! And you may be...
PATRICIA: Like, this is true!
ELIAS: ...incorporating more freedom and much fun. But I am acknowledging of the challenge also. (Chuckling)
I shall express encouragement to you my friend, and continue to be offering expressions of my presence that you may be reminded of my acknowledgment and encouragement to you. To you in tremendous affection, as always, au revoir.
Elias departs at 12:55 PM.
© 2001 Mary Ennis, All Rights Reserved.